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Luke Syson appointed new director of the Fitzwilliam Museum


By Gemma Gardner


Luke Syson joins the Fitzwilliam Museum from the Metropolitan Museum of Art in New York. Pictures: Fitzwilliam Museum
Luke Syson joins the Fitzwilliam Museum from the Metropolitan Museum of Art in New York. Pictures: Fitzwilliam Museum

Luke Syson joins the Fitzwilliam Museum from the Metropolitan Museum of Art in New York.

Luke Syson has been named the new director and Marlay curator of the Fitzwilliam Museum in Cambridge.

Mr Syson, formerly curator at the National Gallery who was responsible for the landmark Leonardo da Vinci: Painter at the Court of Milan exhibition in 2011, and then promptly hired by the Metropolitan Museum of Art in New York in 2012 as head of sculpture and decorative art, returns to the UK to take up his new position early in the new year.

He will be succeeding Tim Knox, who left the Fitzwilliam Museum in February to become the director of the Royal Collection.

Speaking about the role, Mr Syson said he had been attracted by the opportunity of working with an “extraordinary collection” designed to inspire and showcase works of art to Britain and the rest of the world.

He added that he was interested in the challenge of presenting Western art in a period where assumptions of its primacy were being questioned, along with the challenge of museums remaining relevant, which he believes can be answered by encouraging a “dynamic conversation” between curators, objects and visitors about how “works of art reflect who we are”.

During his time at the Metropolitan Museum of Art, Mr Syson has had oversight of the USA’s largest and most comprehensive collection of European applied arts and sculpture.

In particular, he has been involved in the complete refurbishment of the British galleries, a 22 million dollar project that is planned to open in January 2020.

He has created and supervised the research and publication programme of European Sculpture and Decorative Arts (ESDA), as well as having design oversight of ESDA’s exhibition programme, including international loan shows, focus shows, and collection displays.

Prior to joining the Met, Mr Syson was curator of Italian painting before 1500 and head of research at the National Gallery in London, where he led the successful campaign to acquire Raphael’s Madonna of the Pinks for the nation and curated the highly-acclaimed Leonardo da Vinci – Painter at the Court of Milan exhibition of 2011.

Mr Syson was also one of the curators who organised the acclaimed Enlightenment Gallery at the British Museum, where he was curator of medals, and had a leading role in the team that planned the new Medieval and Renaissance art galleries at the Victoria and Albert Museum.

Founded in 1816, the Fitzwilliam Museum is the principal museum of the University of Cambridge.

Professor Stephen Toope, University of Cambridge vice-chancellor, said: “I am delighted that Luke will be the new director of the Fitzwilliam Museum. His depth of experience will be vital in developing the academic and strategic direction of the University’s largest museum. The Fitzwilliam is a sector-leading Arts Council National Portfolio Organisation, as well as a major cultural force in Cambridge and surrounding areas with an extensive public, educational and outreach programme that engages people of all ages and backgrounds. I am confident that under Luke’s leadership it will continue to thrive, and that its influence will grow. I look forward to working with him.”

Professor Geoff Ward, acting director of the Fitzwilliam, added: “Luke Syson brings extensive skills and experience gained from working in senior leadership and curatorial positions at some of the world’s most prestigious museums. His work at the Met with European Sculpture and Decorative Arts, following on from his expertise with Italian painting at the National Gallery, Medieval and Renaissance Collections at the V&A and Coins and Medals at the British Museum will prepare him as he takes on the role of Director of the extraordinary and wide ranging collection that we have at the Fitzwilliam Museum.”



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