Review: Ely Choral Society concert at Ely Cathedral
By Rosemary Westwell
Ely Choral Society presented a magnificent concert last Saturday (April 9). Under the directorship of Andrew Parnell, the choir produced some splendid sounds that created moving effects, ranging from moments of reflection with gentle, peaceful well-blended harmony to tremendous, dramatic climaxes.
This night celebrated Andrew’s 20 years as conductor of the choir and the first premier of his composition, The Alpha and Omega, was a very fitting and moving tribute.
The shadow of Ukraine was present at this concert, with the conductor and choir members wearing ribbons with Ukraine’s colours and the collection afterwards was for Ukraine and its suffering people.
The programme was also well-chosen to reflect this. The first piece, The Peacemakers by Sasha Johnson Manning, had its premier too, and the audience in Ely Cathedral was mesmerised as this fine choir sang unaccompanied. The title was echoed splendidly in the words and beautiful soft harmonies of the music.
This plea for peace was aptly followed by Andrew’s Alpha and Omega, which used texts from the Bible, reassuring us that God is ever-present and ever-powerful and is an eternal source of succour and relief.
It was clear that Andrew knew all about choirs and how to use them effectively. Many times, his music asked the women voices in angelic thirds to be followed by the deeper reassuring men’s voices before joining together, giving the feeling that there were indeed two powerful elements at play.
The soprano soloist, Tara Bungard, reflected the words “a pure river of water of life” perfectly with a delicious purity in her voice while the pianists, Maurice Hodges and Marie-Noelle Kendal, accompanied cohesively giving tremendous weight to the climaxes.
The final work of the evening was Brahms’ Requiem – another fitting composition for the theme of the concert. The dark, haunting depths of the second movement that recur: “Dan alles Fleisch es ist wie gras” (For all flesh is like grass) optimised the overawing effects that death has on us.
Hearing this work in German was indeed the right decision – the music matching the natural stresses and meanings of the words so well. Thanks go to the programme producer for providing the translation to assist those of us who are not fluent in German!
In this work, Brahms’ familiar expansive style was quickly recognisable and particularly well managed by the performers. The pianists were being asked to stretch their fingers and master phenomenal passages, and the choir was given the opportunity for their voices to rise heavenward with delightful swells in the rising phrases.
The baritone soloist, Jeremy Burrows, gave an impressively moving performance, giving strength to the pathos of the words that reflected the brevity of our human lives.
This was indeed a very moving concert. Their next event will be on Saturday, July 10 at 6pm in the Hayward Theatre, King’s Ely. For more on Ely Choral Society, visit elychoralsociety.org/.
Read more
Review: GF Handel’s Tamerlano, Great Hall, The Leys School, Cambridge
